F'INDO'UTMORE

The Deathman was found Dead

Charlie Hunnam

EL James, author of adult novels "Fifty Shades of Grey" on Monday (2/9), announced via his Twitter account that Dakota Johnson will play Anastasia Grey in the film adaptation of the novel.

"The handsome and talented actor Charlie Hunnam will play Christian Grey in the film adaptation 'Fifty Shades of Grey'," wrote James further.

Hunnam (33) is the bloody British actor best known for his role as Jackson "Jax" Teller on "Sons of Anarcy". He also recently appeared in the movie "Pacific Rim"

Announcement of the cast in the movie "Fifty Shades of Grey" was ending months of speculation about the cast of the story is lifted from a trilogy that has sold more than 70 million worldwide copu it.

Universal Pictures and Focus Features plans to release the film "Fifty Shades of Grey" on August 1, 2014.

Author: Liberty Jemadu / BER

Source: Los Angeles Times

More articles: http://www.beritasatu.com/film/135707-charlie-hunnam-perankan-christian-grey-dalam-fifty-shades-of-grey.html

Todays! Sept 2, 2013 in United States (US) celebrating the Labor Day. This is little articles about that Labor Day.

Labor Day is upon us once again, and many of you will be enjoying an extra day of rest this week. Your crew of busy bees at Hot Air will be putting in a bit of a lighter schedule as well, spending time with our families and generally trying to unwind. But as we do, I felt compelled to share a few thoughts and open the podium to discussion on why it’s still important to recognize Labor Day, regardless of how some modern factions have tried to twist the meaning of the occasion.

Last night you engaged in quite the discussion over Quotes of the day, focusing very much on the “new” meaning of Labor Day… that being some distorted form of celebrating labor union bosses and their various victories. But today I would like to focus on something much more positive and, if I may, traditional, reaching far back to the roots of our nation. The real meaning of Labor Day should be remembered as one of the concepts which has no doubt been true in civilizations across the globe at various times spanning the history of mankind, as well as a cornerstone from the founding of this nation. That idea, of course, is the principle that hard work toward a meaningful goal is:
- Necessary to the success of not only the individual, but the community
- A cornerstone of both prosperity and individual freedom
- A reward in and of itself

Without work there is no food, no shelter, no clothing, and – in the long run – no survival. But it’s more than just keeping one person or one family of hunter gatherers alive. The lowliest animal works and, with luck, manages to stay alive, breed and pass on its genes to the next generation. Man works not only for himself, but as part of a larger vision, building a community, a region, a nation. When that impetus to work fails, not only do the individuals remove themselves from the path to prosperity, but the larger community weakens. And traditionally, when large numbers of people fall off the productivity bandwagon and become reliant upon the state to provide what they themselves are not contributing to, the state eventually fails.

As opposed to any communal system, the freedom to work hard, to build a life and save for the future are, if you think about it, the absolute definition of freedom. If you depend entirely on what you are given by the state, your future is only as certain as the stability and wealth of that government. And since government has no source of wealth beyond that which it collects from productive citizens, it doesn’t require an advanced math degree to see how that doesn’t add up to long term stability. But what you earn for yourself is yours, and can be passed on to your children.

This country was built by hard working individuals who knew with brutal certainty that the choices were to be productive or – in most cases – to die. And they built something wonderful, passing on a better life to each succeeding generation until we had a standard of living which was the envy of the planet. This was true of the first farmers who raised crops and animals to feed us, the first laborers who built the roads and railways to connect a continent and all the innovators who dreamed of a better future. Not everyone rose to dizzying heights of wealth and power, but the opportunity for every family to stand in their own castle on their own plot of land with a full belly and shelter from the storm was there. It was Ben Franklin who said, “then plough deep, while sluggards sleep, and you shall have corn to sell and to keep.”

A sentiment which is still true today.
That’s what comes from work, along with the pride we take as individuals in our achievements. This is why neighborhoods of single family homes generally look better than apartment blocks. Work is its own reward, and what you work for and earn you tend to value and take care of. It’s easy to be disappointed in much of what we see around us or on the news at times, but we still live in a place where opportunity exists. So here’s to all of you that work and earn and save and spend and build, and to all those who came before you, building what you stand upon today. Happy Labor Day.

Adopted from: http://hotair.com/archives/2013/09/02/celebrating-the-labor-in-labor-day/

#RIP David Frost

David Frost ( 74 ) , died in the Queen Elizabeth cruise ship on Sunday ( 09/01/2013 ) . He is the President of the United States interviewer Richard Nixon in 1977 , who succeeded in persuading an apology from the president for the Watergate scandal .
" Sir David Frost died of a heart attack last night at the Queen Elizabeth when it was giving a speech , " the family statement said Frost . " The family are very sad and asked for privacy at this difficult time , " the statement continued .
In addition to Nixon , Frost also interviewed another row of big names throughout his journalistic career . Nelson Mandela is one of the ever interviewed . Frost also is the only person who ever interviewed the last seven U.S. presidents before Barack Obama .
Frost is also the last person who ever interviewed last Shah of Iran , Mohammad Reza Pahlavi . State leaders the 20th century, including Michael Gorbachev , Vladimir Putin , Yasser Arafat , FW de Klerk , Jacques Chirac , and Benazir Bhutto , is a row of other names he's ever interviewed .
" Hello , good evening and welcome , " a slogan Frost started the interview whenever sharp . Former Leader of the UK Liberal Democrats , Menzies Campbell , said Frost had thoroughness and courtesy that concealed his thoughts as " criminals " in mengulik information and answers from the respondents .
BBC Director General Tony Hall said , Frost could make the speaker did something unknowingly . " Until it 's too late ( to stop ) , " said Hall . According to Hall , Frost has brought satire to comedy in a great political interview . " For 50 years he has brought to us the history of the world in which we live today , " he added .
Frost interview with Nixon was made ​​into a movie and was nominated for 5 Oscars . In addition to political interviews , Frost also interviewed other world celebrities , including Orson Welles , Tennessee Williams , Noel Coward , Elton John , Woody Allen , Muhammad Ali , The Beatles , Clint Eastwood , Anthony Hopkins , John Gielgud , Norman Mailer , and Warren Beatty .
British Prime Minister David Cameron praised Frost as "a remarkable man , with charm , wit , talent , intelligence , and warmth in equal measure " . According to Cameron , Frost has a major impact on television and politics . He added that Frost can be a good friend but also a scary interviewers , including for Cameron .
Born with the name David Paradine Frost , he was born in Kent , South East England on 7 April 1939 . Graduated from Cambridge University , he immediately joined the BBC and provides a major breakthrough through the program " That Was The Week That Was " in 1962-1963 .
In 1983 he was married to Lady Carina Fitzalan - Howard , second daughter of the Duke of Norfolk , which is one the UK 's leading nobles . In 1993 , Frost getting knighted " Sir " for outstanding achievements in the field of broadcasting .
A total of 17 books have been written Frost . He also has turned into entrepreneurs , including making several films and television building two networks in the UK , London Weekend Television and TV - am . In 2006 he joined Al Jazeera .

Animals of EZoo's Expression

The third day of the Electric Zoo Festival today (September 1) has been canceled due to “serious health risks,” a statement from the New York City government announced and a posting from the festival confirmed. The New York Times identified the victims as Jeffrey Russ (24), of Rochester, N.Y., and Olivia Rotondo (20), of Providence, R.I. Russ was reportedly attending the festival with 23 members of his Syracuse University fraternity.

“The founders of Electric Zoo send our deepest condolences to the families of the two people who passed away this weekend,” that's statement of founders EZoo #EDM. Dillon Francis on his Twitter also commented for this tragedy @DILLONFRANCIS, "RIP Jeffrey Russ & Olivia Rotondo you will be missed...sending my love to the families and friends who have to deal with this tragedy"

Well done, Artists scheduled to perform today included Armin van Buuren, Steve Aoki, Zedd, Krewella, Diplo, and Swedish House Mafia member Sebastian Ingrosso.

Seamus Heaney

This is a little bit story about Seamus Heaney, He was born in April 1939, the eldest member of a family which would eventually contain nine children. His father owned and worked a small farm of some fifty acres in County Derry in Northern Ireland, but the father's real commitment was to cattle-dealing. There was something very congenial to Patrick Heaney about the cattle-dealer's way of life to which he was introduced by the uncles who had cared for him after the early death of his own parents. The poet's mother came from a family called McCann whose connections were more with the modern world than with the traditional rural economy; her uncles and relations were employed in the local linen mill and an aunt had worked "in service" to the mill owners' family. The poet has commented on the fact that his parentage thus contains both the Ireland of the cattle-herding Gaelic past and the Ulster of the Industrial Revolution; indeed, he considers this to have been a significant tension in his background, something which corresponds to another inner tension also inherited from his parents, namely that between speech and silence. His father was notably sparing of talk and his mother notably ready to speak out, a circumstance which Seamus Heaney believes to have been fundamental to the "quarrel with himself" out of which his poetry arises.
Heaney grew up as a country boy and attended the local primary school. As a very young child, he watched American soldiers on manoeuvres in the local fields, in preparation for the Normandy invasion of 1944. They were stationed at an aerodrome which had been built a mile or so from his home and once again Heaney has taken this image of himself as a consciousness poised between "history and ignorance" as representative of the nature of his poetic life and development. Even though his family left the farm where he was reared (it was called Mossbawn) in 1953, and even though his life since then has been a series of moves farther and farther away from his birthplace, the departures have been more geographical than psychological: rural County Derry is the "country of the mind" where much of Heaney's poetry is still grounded.

When he was twelve years of age, Seamus Heaney won a scholarship to St. Columb's College, a Catholic boarding school situated in the city of Derry, forty miles away from the home farm, and this first departure from Mossbawn was the decisive one. It would be followed in years to come by a transfer to Belfast where he lived between 1957 and 1972, and by another move from Belfast to the Irish Republic where Heaney has made his home, and then, since 1982, by regular, annual periods of teaching in America. All of these subsequent shifts and developments were dependent, however, upon that original journey from Mossbawn which the poet has described as a removal from "the earth of farm labour to the heaven of education." It is not surprising, then, that this move has turned out to be a recurrent theme in his work, from "Digging", the first poem in his first book, through the much more orchestrated treatment of it in "Alphabets"(The Haw Lantern, 1987), to its most recent appearance in "A Sofa in the Forties" which was published this year in The Spirit Level.

At St. Columb's College, Heaney was taught Latin and Irish, and these languages, together with the Anglo-Saxon which he would study while a student of Queen's University, Belfast, were determining factors in many of the developments and retrenchments which have marked his progress as a poet. The first verses he wrote when he was a young teacher in Belfast in the early 1960s and many of the best known poems in North, his important volume published in 1975, are linguistically tuned to the Anglo-Saxon note in English. His poetic line was much more resolutely stressed and packed during this period than it would be in the eighties and nineties when the "Mediterranean" elements in the literary and linguistic heritage of English became more pronounced. Station Island (1984) reveals Dante, for example, as a crucial influence, and echoes of Virgil - as well as a translation from Book VI of The Aeneid - are to be found in Seeing Things (1991). Heaney's early study of Irish bore fruit in the translation of the Middle Irish story of Suibhne Gealt in Sweeney Astray (1982) and in several other translations and echoes and allusions: the Gaelic heritage has always has been part of his larger keyboard of reference and remains culturally and politically central to the poet and his work.

Heaney's poems first came to public attention in the mid-1960s when he was active as one of a group of poets who were subsequently recognized as constituting something of a "Northern School" within Irish writing. Although Heaney is stylistically and temperamentally different from such writers as Michael Longley and Derek Mahon (his contemporaries), and Paul Muldoon, Medbh McGuckian and Ciaran Carson (members of a younger Northern Irish generation), he does share with all of them the fate of having be en born into a society deeply divided along religious and political lines, one which was doomed moreover to suffer a quarter-century of violence, polarization and inner distrust. This had the effect not only of darkening the mood of Heaney's work in the 1970s, but also of giving him a deep preoccupation with the question of poetry's responsibilities and prerogatives in the world, since poetry is poised between a need for creative freedom within itself and a pressure to express the sense of social obligation felt by the poet as citizen. The essays in Heaney's three main prose collections, but especially those in The Government of the Tongue (1988) and The Redress of Poetry (1995), bear witness to the seriousness which this question assumed for him as he was coming into his own as a writer.

These concerns also lie behind Heaney's involvement for a decade and a half with Field Day, a theatre company founded in 1980 by the playwright Brian Friel and the actor Stephen Real. Here, he was also associated with the poets Seamus Deane and Tom Paulin, and the singer David Hammond in a project which sought to bring the artistic and intellectual focus of its members into productive relation with the crisis that was ongoing in Irish political life. Through a series of plays and pamphlets (culminating in Heaney's case in his version of Sophocles' Philoctetes which the company produced and toured in 1990 under the title, The Cure at Troy), Field Day contributed greatly to the vigour of the cultural debate which flourished throughout the 1980s and 1990s in Ireland.

Heaney's beginnings as a poet coincided with his meeting the woman whom he was to marry and who was to be the mother of his three children. Marie Devlin, like her husband, came from a large family, several of whom are themselves writers and artists, including the poet's wife who has recently published an important collection of retellings of the classic Irish myths and legends (Over Nine Waves, 1994). Marie Heaney has been central to the poet's life, both professionally and imaginatively, appearing directly and indirectly in individual poems from all periods of his oeuvre right down to the most recent, and making it possible for him to travel annually to Harvard by staying on in Dublin as custodian of the growing family and the family home.

The Heaneys had spent a very liberating year abroad in 1970/71 when Seamus was a visiting lecturer at the Berkeley campus of the University of California. It was the sense of self-challenge and new scope which he experienced in the American context that encouraged him to resign his lectureship at Queen's University (1966-72) not long after he returned to Ireland, and to move to a cottage in County Wicklow in order to work full time as a poet and free-lance writer. A few years later, the family moved to Dublin and Seamus worked as a lecturer in Carysfort College, a teacher training college, where he functioned as Head of the English Department until 1982, when his present arrangement with Harvard University came into existence. This allows the poet to spend eight months at home without teaching in exchange for one semester's work at Harvard. In 1984, Heaney was named Boylston Professor of Rhetoric and Oratory, one of the university's most prestigious offices. In 1989, he was elected for a five-year period to be Professor of Poetry at Oxford University, a post which requires the incumbent to deliver three public lectures every year but which does not require him to reside in Oxford.

In the course of his career, Seamus Heaney has always contributed to the promotion of artistic and educational causes, both in Ireland and abroad. While a young lecturer at Queen's University, he was active in the publication of pamphlets of poetry by the rising generation and took over the running of an influential poetry workshop which had been established there by the English poet, Philip Hobsbaum, when Hobsbaum left Belfast in 1966. He also served for five years on The Arts Council in the Republic of Ireland (1973-1978) and over the years has acted as judge and lecturer for countless poetry competitions and literary conferences, establishing a special relationship with the annual W.B. Yeats International Summer School in Sligo. In recent years, he has been the recipient of several honorary degrees; he is a member of Aosdana, the Irish academy of artists and writers, and a Foreign Member of The American Academy of Arts and Letters. In 1996, subsequent to his winning the Nobel Prize in Literature in 1995, he was made a Commandeur de L'Ordre des Arts et Lettres by the French Ministry of Culture.